One of the highlights of the city days was linear laser mapping on the facade of the City Hall. The show used BeamBrush technology, which worked perfectly on the building. In addition to the standard outlining of building elements, graphic effects placed in the building's mask were added, as well as architectural lighting accents that enhanced the entire show.

Credits: Laser Designers: Jakub Marcinek, Anna Nadolna
Music: Sanah, “Jestem Twoją Bajką”; Peter Doglov, “Inspiring Dubstep”
YouTube link (blocked in some countries due to music copyright restrictions)

Laser mapping was complete in our implementation from proposal to projection. We built two position towers, each one with 18 pieces of lasers. Lasers had a combination of rendering scanners to achieve sufficient visibility and luminosity on the glass surface facade of the building. At the same time, it was important to render a sufficient number of points for a complex graphic. Two sides of the building formed two projection zones, which were divided into 96 parts. Two PCs were used with SW because each side of the building was accurately mapped separately.

Credits: Designer, Programmer & Laser Operator: Martin Gabco
Music: Various songs by Jean-Michel Jarre
YouTube link (blocked in some countries due to music copyright restrictions)

The show on this newly opened building was a challenge due to the large number of windows and the small area on which to draw with the laser. Accents using BeamBrush technology helped to enhance the show.

Credits: Laser Designers: Jakub Marcinek, Anna Nadolna
Music: Jackson Frost, “Epic Dubstep 3”
YouTube link

This show was the opening entertainment for Australian Football League (AFL) Gather Round at the Adelaide Oval, South Australia. It was originally scheduled for the first day only, but the show was so well received that it was replayed every day of the 4 day festival. The intent of the show was to illustrate the teams coming to Adelaide, the team logos, the AFL branding stickers, AFL players, team clashes and high energy content. A key challenge was manually distributing the content across different lasers over the massive 185 m by 100 m (~600 x 300 ft) oval field.

Credits: Design by Ben Lawrence (Soulstorm Lasers) and Nisha Ramnath (Phase Designs). On-site programming and operation by Ben Lawrence. Lasers supplied by Lumina Visual Productions.
Music: Luude & Mattafix, “Big City Life”; Marlon Hoffstadt & Fisher, “It's That Time” (Fisher Remix); Kevin McKay, “Freed From Desire feat. Start the Party” (Jen Payne & CAMPS Remix); Darude, “Sandstorm”; Synthony, “Levels”
YouTube link (blocked in some countries due to music copyright restrictions)

We added another layer to the vehicle deployment video. The laser particles and the shuttling lines interact with the car body as the scenes change, making the video more visually appealing. The laser engraving at the end of the video precisely projects the name of the car.

Credits: Laser Operator: Zen Xiong
Music: Original music track
YouTube link

Our task was to give a high-tech feel to six Volkswagen concept cars on a small stage. Vehicle movement paths and stage LED setups limited where we could place lasers. Still, we found ideal spots. While these locations didn't look dramatic on camera, the shallow-depth circular venue made the laser effects stunning for the audience. We used lasers to enhance the cars' unique looks and the dance performances.

Music: Original music track
YouTube link

The Innovation Award is among Germany’s most prestigious trophies for SMEs and Start-Ups. For the 40th anniversary of the award, the organizers had something special in mind. As the event location only had a very limited number of seats, this impressive beam show, which concluded the glamorous award ceremony, was presented to the TV audience at home via an internet live stream.

Credits: Show Designer: Florian Skrzypczak
Music: Woodkid, "Run Boy Run (instrumental)"
YouTube link

For Iceland’s 2024 Eurovision entry, we designed a laser show to match Hera Björk’s powerful vocals with elegance and energy. The goal was to complement the performance with clean, stylish laser looks that enhanced the music’s dynamic build-up without overshadowing the artist. A balance of simplicity and impact was key to delivering a classy, visually refined show.

Credits: Lead Programming & Operator: Love Karlsson; Programming & Operator: Anders Edström; Laser Safety Officer: Johan Lindell
Music: Hera Bjork, "Scared of Heights"
YouTube link

We created a fully synchronized laser show for Austria’s “We Will Rave” at Eurovision 2024. The design combined mapped laser effects on the LED floor with dynamic beams choreographed to the dancers. Tight integration with moving set elements and ultra-short changeovers demanded precise timing and innovative programming to ensure seamless execution during the live broadcast.

Credits: Lead Programming & Operator: Love Karlsson; Programming & Operator: Anders Edström; Laser Safety Officer: Johan Lindell
Music: Kaleen, "We Will Rave"
YouTube link (blocked in some countries due to music copyright restrictions)

The Last Goodbye Cinematic Experience offers an intimate glimpse into ODESZA's triumphant return to touring. Through candid interviews with the duo, their fans, and creative collaborators, the film explores the deep bond between the band and their audience, revealing how personal experiences shaped The Last Goodbye. Lasers are a common and connecting theme throughout the film. The lasers were filmed primarily for a home viewing audience, with unique camera methods employed. The ILDA Awards video includes excerpts of the laser effects that are interwoven with the primary story.

Credits: Creative Directors: Sean Kusanagi, Luke Tanaka; Production: Shane Crowl; Technicians: Glen Foy, John Hruska
Music: ODESZA – Various songs
YouTube link

During the filming of one of the scenes in the audio performance "Lukomorye", only a single laser was used. Despite the minimal technical setup, the visual impact of the scene was striking, thanks to the carefully crafted lighting design and the use of smoke effects. The laser beam cutting through the mist created an atmosphere of mystery and magic, immersing the audience in Pushkin’s fairytale world.

Credits: Technical Specialist: Sergey Zabosin
Music: Polnalyubvi, "Komety"
YouTube link (blocked in some countries due to music copyright restrictions)

HBO wanted to create a futuristic club scene for the new drug "Bliss" in the Batman side story of Oswald Cobblepot. Laser banding camera effect was the right choice from us.

Credits: Shane Martz, Matson McCrabb
Music: HBO MAX, “The Penguin Club Song”
YouTube link

This show was specially designed for the “Lord Of Lasers“ competition held in Wrocław in April 2025. Originally planned during the ILDA Conference in September 2024 it was cancelled due to flooding in Wrocław. We were able to choose the music ourselves so we decided to do a remixed 80’s medley. In this video you can see the final part of the 13-minute show including 38 atmospheric laser systems, two graphic laser systems as well as SFX, like pyro shots, flames, CO₂ launcher and sparkular.

Credits: Programming of Lasers and SFX: Markus Voggenberger & Helmut Gruber; Equipment Setup: Jarosław Nadolny & Team; Production: Leszek Tomaszewski; Camera: Jarosław Nadolny; Video Editing: Helmut Gruber
Music: Exhale ft. Queen, "The Show Must Go On (Exhale Hardstyle Bootleg)"
YouTube link

Emphasis was placed on creatively using 40 lasers to paint a precision timed experience for the audience.

Credits: Programming of Lasers, Pyro, Sparks, Flames, & Fog Jets: Nicolas Squire & Derek Garbos; Equipment Setup: Jarosław Nadolny & Team; Production: Leszek Tomaszewski
Music: Arista, “La Ziguezon (Psytrance remix)”; Outsiders, “Gimme Bass”
YouTube link (blocked in some countries due to music copyright restrictions)

Incredibly challenging, but incredibly rewarding. A laser show for 40 lasers, played in a football stadium with the addition of fire, pyrotechnics, and other special effects helped create an amazing spectacle.

Credits: Laser Designers: Maciej Łukaszewski, Jakub Marcinek, Anna Nadolna; Equipment Setup: Jarosław Nadolny & Team; Production: Leszek Tomaszewski; Camera: Jarosław Nadolny
Music: Tommee Profitt, “In the End (Linkin Park Cover)”; Sagan, “Fire”; Maciej Goliasz, “Now We Are Free (Hans Zimmer remix)”
YouTube link

Lasers vividly bring one of the most dramatic and memorable scenes of Mozart’s timeless masterpiece “The Magic Flute” to life: The Queen of the Night extorts her own daughter to murder her rival, or else she be banished forever. One of the key difficulties in adapting this work to the medium laser was the lack of bass rhythm, the most typical musical feature of any beam show. The show designer masterfully solved this by synchronizing the beams to the rising and falling voice of the opera singer instead, perfectly capturing the gravitas of the moment.

Credits: Show Designer: Roman Schütz; Laser Arrangement Planetarium: Mirko Schinke; Videographer Planetarium: Nico Kuhn
Music: Wolfgang Amadeus Mozart, "Der Hölle Rache - Königin der Nacht (Die Zauberflöte)"
YouTube link

The visual content focuses on the sensuality of the female form and, to an extent, the male gaze and its reliance on carnal beauty. Rastered images on the sides of the rotating cube and in the photo frame depict contours of the female face – lips, eyes, curving locks of hair. The bridge of the song describes our “skewed” outlook on relationships in modern society. During that section, pulsating hearts in states of duress are struck by bolts of lightning, symbolizing the struggles we face in pursuing the perfect mate – a folly viewed through rose-colored lenses.

Credits: Imagery and Beams: Brian Adams
Music: Prince, "U Got The Look"
YouTube link (blocked in some countries due to music copyright restrictions)

We wanted to poke fun at the hysteria surrounding the lead-up to Y2K, where anything could happen. Preppers hoarded, cults were formed, some with ideas that aliens would abduct us! Before the advent of social media, we show a television as the primary news source, informing us of an alien crash. Of course, 1999 is about the need to party before the pending doom, so we focus on both the celebration and the story of alien abduction.

Credits: Imagery and Beams: Brian Adams
Music: Prince, "1999"
YouTube link (blocked in some countries due to music copyright restrictions)

Owl Festival is a smaller hardstyle event with big-stage ambitions. We delivered a laser show using a combination of high-power beam lasers and RGB laser bars to create a tightly programmed, high impact experience. Despite limited scale, the goal was to match the intensity of major festivals.

Credits: Programming & Operator: Anders Edström
Music: Owl Festival, "Intro"
YouTube link (blocked in some countries due to music copyright restrictions)

Laser effects performed live as well as pre-programmed during the all-night music festival.

Credits: Laser Designers: Jarosław Nadolny, Jakub Marcinek, Maciej Łukaszewski, Michał Gaborski
YouTube link

Laser effects performed live as well as pre-programmed during the all-night music festival.

Credits: Laser Designers: Jarosław Nadolny, Jakub Marcinek
YouTube link (blocked in some countries due to music copyright restrictions)

The year is 2025. Humanity has become enslaved to content generated by AI. All forms of creativity have been suppressed. Come with us on a journey to rediscover what it means to be human.

Credits: Designers: Allen Harsting, Nathan Jin, Patrick Willett, Garrett Gosting; Operator, Ron Lake; LSO and Supply, Rick Hale
Music: Gareth Emery
YouTube link

Lasers are not merely used to create the atmosphere or capture the rhythm of the music. We delved deep into the background story of the show and created unique laser effects, including presenting the giant spiritual monster on the stage through 3D modeling and motion capture, the particle special effects that scatter and converge intermittently in scenes, the illumination of the dragon head totem representing the country of "DragonGate", using laser bars to simulate the penetrating feeling of a rainstorm, and using the lasers installed on a customized T-truss to create the head of a monster.

Credits: Laser Operators: Zen Xiong, Cong Lin
Music: MSR/Adam Gubman, Dreamer; MSR/BaoUner, The Forced March of Chernobog; MSR/Steven Grove, Ad astra; MSR/THE EITHER, Invitation to Wine; MSR/Taiga, Extinct; MSR/Adam Gubman, Lord of Wolves; MSR/Forts, Radiant; MSR/PMP, Break Through the Dome; Starset, Monster; Starset, Infected
YouTube link

For the European leg of Alan Walker’s Walkerworld tour, we were tasked with introducing fresh looks to the artist’s laser design. The show featured a range of elements, including laser projections on a kabuki drop during the intro, laser bars spanning the stage, and downward-terminating beams for added depth. All effects were carefully programmed and operated live; no timecode was used, allowing Alan full flexibility in his DJ performance.

Credits: Programming & Operator: Love Karlsson; Laser Techs: Victor Jönsson, Henrik Hoffman; Graphics Programming: Pieterjan Ruysch; Laser Safety Officer: Johan Lindell
Music: Alan Walker songs: "Walkerworld Intro”, “Lasers Remix”, “Laserbeam", "Move to Da Bass”, Alone Pt2 Remix”, “Welcome”, “Darkside”, "Man on the Moon"
YouTube link (blocked in some countries due to music copyright restrictions)

Directed by Thomas Dechandon, who sought to create a spectacular alternative to traditional fireworks, this laser show created for Panam24 marks the Paris 2024 Olympic Games opening ceremony. With atmospheric and graphic designs enhanced by Eiffel Tower lighting, it features cutting-edge technology: two 600W laser beams, twelve RGBY 30W, twenty-six 80W, and fifty 60W lasers, delivering a breathtaking display of innovation and artistry.

Credits: Show Director: Thomas Dechandon; Programmer: Tara Winona; Project Director: Francois Vandermeeren; Technical Manager: Nathan Awouters
Music: Victor Le Masne, "Infinite"; Ceronne, "Supernature"; Victor Le Masne, "Parade IV"
YouTube link

This show is an uplifting tale of a mouse who rises above his rat oppressors by building a robotic tiger. The mouse uses his wits to make up for his physical strength and triumphs. During the song's breakdown, the mouse feels the power of and a connection to his creation.

Credits: Laser Programming: Nisha Ramnath; Equipment: MaxTENN; Show Producer: Pinnacle Lasers
Music: Katy Perry, "Roar"
YouTube link

A large-scale laser show was brought to life in Doha, illuminating two skyscrapers, each standing 220 meters tall. The project had extremely tight deadlines — just three days for content creation and two days for on-site setup and calibration. The show employed 36 laser projectors, with 18 units dedicated to each building. To achieve a bright and vivid image, a layering technique was used: each façade was covered by three groups of six lasers, ensuring high light intensity and sharp visuals even at such a large scale.

Credits: Art Director: Olga Saveleva; Laser Designers: Anna Usova, Mikhail Shebukov, Anastasia Izitsina, Dmitry Madrakhimov; Technical Specialists: Daniil Boiko, Aleksandr Balyberdin
Music: M-S-Studio, "Pathos"
YouTube link

Highland Gold Mining Ltd.is a gold producer with a strong reputation. They are engaged in a full cycle of gold mining and casting, including geological research and the creation of many jobs for workers. The company cares not only about making a profit, but also cares about the social benefits for employees – education, healthcare, sports and recreation. This laser show was created for a business corporate event of this company.

Credits: Laser Graphics: Kirill Nikitochkin; Project Manager: Taras Viter; Lasers Operator: Mikhail Smirnov
Music: Wave Music Studio, "An History"
YouTube link

This vibrant and dynamic performance is designed to bring you the magic, warmth, and joy of the holiday season. Spectacular laser effects, animations, and music come together in an unforgettable display to celebrate Christmas and the New Year with you.

Credits: Art Director: Olga Saveleva; Laser Designers: Anna Usova, Mikhail Shebukov, Anastasia Izitsina, Dmitry Madrakhimov; Technical Specialist: Sergey Zabosin
Music: Silverman Sound Studios, "Christmas Spirit"; Jack Pierce, "Awkward Dilemma"; Silent Partner, "Sugar Zone"; Wormwood Music, "Cartoon Intro"
YouTube link

This was created for the Lusail Sky Festival, which was held in Qatar. The animation tells the story of a young pilot who found his grandfather's old flight logbook and wants to follow in his footsteps.

Credits: Laser Designer: Anna Nadolna
Music: Maciej Goliasz, “Arabic Mood”
YouTube link

This is a single projector abstract show. Big and stompy with lots of shapes and sequences to evoke big destruction and explosions. Mechanical and natural mutations. Out of the atom was born the King of the Lizards. The hero we deserve.

Credits: Christopher Short
Music: Blue Oyster Cult, “Godzilla”; Bear McCreary cover for the 2019 “Godzilla: King of the Monsters” movie
YouTube link

This is a single projector abstract show. Siouxsie and the Banshees at their best. Post punk alternative goth with accordions and horns. I wanted to make a show that was seductive and a little unsettling. I used a nighttime palette with abstracts dancing in weird time and creepy shapes with tentacles. This show was so fiddly to do, but it needed to twist flow from one scene to another all graceful and strange to the music.

Credits: Christopher Short
Music: Siouxsie and the Banshees, “Peek-A-Boo”; Echo 3 cover for the 2001 “Jeepers Creepers” movie
YouTube link

This is a three-projector show. Something that's halfway between a hallucination and a photonic assault on your eyes. Layers of geometrics and tunnels. Temple doors, mandalas, or just your brain making symbols from noise? It starts with simple cycloids and builds and builds. It was a complex, but really fun show to make because I could just slam on the abstracts and fill the screen to the fantastic music with no holding back.

Credits: Christopher Short
Music: The Doors, “Break on Through (Infected Mushroom
Guitar remix)”
YouTube link

"Sky" is an immersive laser experience that transforms the night into a canvas of light, color, and sound. Inspired by the beauty and drama of the sky above us, the show leads the audience through a visual interpretation of natural phenomena — from the soft pastels of dawn to the intense energy of the sun, lightning storms and the calm wonder of a starry night.

Credits: Showdesign: Merlin Schaadt; Technical Management: Rico Behlke
Music: Supreme Devices, Epic Music World, David Klemencz, "Sky Is the Limit"
YouTube link

"Shadowless" is a hypnotic laser and mirror show set to the atmospheric track “Shadowless." Countless mirrors reflect and multiply the laser beams into a seemingly endless space of light. As the music evolves, so does the visual journey — from soft, flowing patterns to sharp, pulsating bursts. Reflections create illusions of depth and infinity, inviting the audience into a surreal world where light exists without shadow.

Credits: Showdesign: Merlin Schaadt; Technical Management: Rico Behlke
Music: Audiomachine, Mark Petrie, "Shadowless"
YouTube link

This show focuses on depth, perspective, eye focus and blending while creating shapes using precise geometry.

Credits: Nathan Jin
Music: Subtronics, Wooli, "Lock In"
YouTube link

This was created as the opening show for an electronic dance music festival. Being well aware of and falling in love with this famous part of "techno music history", we tried to create a laser show highlight with complex and new moving beam effects to honor this new incredible orchestra version of Sandstorm. The audience’s feedback confirmed our feelings. ;)

Credits: Show Design: Tobias Gebuhr
Music: Alex Christensen, "Sandstorm"
YouTube link

For nearly 20 years, the Christmas Laser Spectacular has raised over $100,000 for local charities using laser artistry to inspire attendees while providing meaningful support to those in need. The performance is fully donated and 100% of ticket sales directly support the community’s most vulnerable. This annual production blends modern laser displays with high production values, creating an engaging and emotionally impactful experience that resonates with audiences. The show’s enduring demand reflects its status as a cherished tradition, driven by its emotional and charitable impact.

Credits: Programmer: Mike Dunn; Live Operator: George Dodworth; Production: John Walker
Music: Lindsey Stirling, “Joy to the World”
YouTube link

This permanent installation at the Westin is designed to enhance seasonal street events with an immersive laser show that attracts and retains audiences to support local businesses. The show is operated from a permanently constructed rooftop laser booth that houses the projection lasers and playback computers. A special lifting mechanism was designed for the screen which is stowed in a hidden trough, and is deployed by an overhead crane system with minimal effort. Beam lasers live in permanent weather enclosures, and fog machine carts with wDMX are deployed on show nights.

Credits: Programmer: Mike Dunn; Design & Operator: George Dodworth; Production: John Walker
Music: Various songs and artists
YouTube link (blocked in some countries due to music copyright restrictions)

An enchanted night walk through a canyon of wonders. As night falls, an immersive storyworld comes to life. Follow a mystical deer on a journey in search of The Source, a legendary spring said to transform nature with the magic of water. Travel across a multimedia pathway of light, illusion and music to connect with nature in a bold new light.

Credits: Project Creation: Moment Factory; Survey and Laser Design: Derek Garbos; Laser Installation and Programming: Nicolas Squire
Music: Custom soundtrack
YouTube link

Starting in June 2023, BRC has opened four immersive installations for Great Wolf Lodge. The client's mission was to foster family togetherness through fun and adventure in a safe environment. This location-based signature attraction for the lodges is the first of its kind. The Legend of Luna opens new possibilities, turning otherwise ordinary spaces, like a hotel lobby, into immersive, storied places of wonder and magic. Lasers create pixie dust, stars and a lifelike aurora borealis; bringing viewers into Luna's world, letting them suspend disbelief and connect with the message of the story.

Credits: Creative Director: Edward Hodges; Technical Manager: Alex Mackay; Producer: Steven Farnsworth; Project Coordinator: Alex Eastman; Laser Installation: X-Laser; Laser Programming: Nisha Ramnath; Laser Install Technician: Dustin Derry
Music: Original score & narration produced by BRC Imagination Arts, "The Legend of Luna"
YouTube link

Lucida (I–VI), 2025. Lasers, acrylic, stainless steel, infrared cameras, software, speakers.

Lucida is the latest in Lachlan Turczan’s Veil Series, sculpting immersive environments from coherent light. Mist reveals dynamic veils that ripple and respond to movement, giving light a physical presence. As viewers engage, beams shift and bend, forming ephemeral architecture. Co-created with engineer Kevin Izard, Lucida explores a future shaped by perception, not mass.

Credits: Creators: Lachlan Turczan, Kevin Izard; Interaction: Will Michaelsen; Composer: Sebastian Sack
Music: Custom musical score by Sebastian Sack created for Studio Lachlan Turczan
YouTube link

I filmed this in an art gallery where we were set up to provide an artistic experience for a film production. It was an unusual setup with many effects, and I was trying to stretch out and use everything.

Credits: Laser Programmer: Tim Walsh
Music: Haydn, "Creation"
YouTube link

A Light Desert: The LuxoLaser was born out of a challenge to produce an edible laser, continuing my research into small-scale lasers. This is intended for a banquet situation, where a desert sheet cake can be lit with lumia. A Luxo lamp was dismantled, and its innards replaced with an RGB lumia rig. This lights up white frosting perfectly, and can be used on wedding cakes, pasta alfredo, or any light-colored food. The LuxoLaser runs off 12V DC and comes with a power supply. It has the required CDRH warnings. There is a dimmer switch built in and individual power trim pots for each color.

Credits: In Charge: Mike Gould
YouTube link

"Particle Play" is an interactive laser installation that allows real-time generated laser particles to be moved across a projection surface. Input options include hand trackers or body trackers. By directing the particles to certain "trigger areas," any interactive action can be triggered. In the video, for example, spotlights were activated. If the user remains still, the particles disappear. The entire installation was developed in TouchDesigner, and all laser graphics are generated in real time with TouchDesigner.

Credits: Idea & Programming: Martin Nowosad; Actress: Susanna Bergmann
Music: Tasty Audio, "Energy Pop Punk"
YouTube link

This is the first ever FAA-approved laser show from an aircraft in the United States. It took place over Burning Man in August 2024. Lasers, lights and pyrotechnics were mounted on the airplane. The show was performed and controlled by the pilots. One pilot flew the plane and controlled the pyrotechnics. The other controlled the laser and lights. The show lasted for approximately 15 minutes.

Credits: Milne “CC” Pocock, Christi Masi
Music: I mixed a soundtrack with music for the show. There were many mobile and fixed stages on the ground, and they all were playing different music at the time, so it was not possible to sync our soundtrack with all of them during the show. Many or most people on the ground just saw the plane flying, with no sync'd music, as shown in the entry video.
YouTube link

See photo above

This photo was taken during the Qadsiah Festival 2024 in Al Khobar, KSA. It captures the Al Khobar Water Tower with lasers and video mapping. Our task was to illuminate the largest water reservoir in the world so it could be clearly seen from a distance and from the surrounding area.

Credits: Photographer: Sara Simkovicova

Each laser emits only one color: red, green or blue. The light mixes in the air to create cyan, magenta, yellow and white.

Credits: Nathan Jin

A laser net crisscrosses the globe, representative of our modern, interconnected world. Touching even the most remote corners, the net brings us all closer together –– or does it?

Credits: Photographer: Florian Skrzypczak; Laser Design: Werner Most