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The ILDA Awards are the laser display industry's equivalent of Hollywood's Oscars. Each year, they honor companies and individuals from around the world for their achievements. These awards were bestowed at the 2018 ILDA Conference:
• The Artistic Awards cover virtually all aspects of modern laser displays, from the creation of individual laser graphics to the production of huge outdoor shows.
• The Technical Awards, named for pioneering laserist Fred Fenning, honor technological achievements that advance the industry.
• The Career Achievement Award is ILDA's highest honor, given for work spanning many years in the area of show quality, innovation, and industry service.
Booklet with details
For more details on the winners, download the 2018 ILDA Awards booklet (PDF format). The booklet lists all winners, plus credits and a description of the work.
(Note: The version online is updated from the printed version and the PDF on USB drives, both of which were distributed Nov. 12 at the ILDA Awards Presentation. The version online includes winners whose names were not known in advance of printing.)
Videos of the winners (1st, 2nd and 3rd) are available on YouTube. Links are below, in the list of winners. You can also go to the ILDA YouTube playlists for all Award-winning videos or for just the 1st Place winning videos.
(Note: A few Award winners may not be at YouTube either due to copyright issues with the video music tracks, or because a photo or written text was submitted instead of a video.)
If you want to get a quick overview of all of the winners, below is a video compilation of the 2018 Award winners. This 28-minute video contains short excerpts from each Award-winning entry.
Video winners can be seen on YouTube. For first place winners, click on the picture to play the YouTube video. For second and third place winners, click on the show name link to play the YouTube video in a new window.
Winners selected by ILDA Members viewing photos online and voting via email
1st: “Angel", KVANT Ltd.
Manager: Michal Šimkovič; Choreographer: Milan Keres; Programmers: Martin Gabco, Václav Kolenčík, Tomáš Krže; Technicians: Maroš Starosta, Boris Bello
2nd: “Evergreen", Nice Lasers
Laser Designer: Anthony Garcia, Photographer: Jesse Perez
3rd: “IMAGINE - Dubai Festival City", Laservision Mega Media
Photo: Matthew Tuey, Marketing Manager; Laser Artist: Daniel McCloskey
Performed live, and judged by attendees, at the ILDA Conference's Lase-Off, November 12, 2018 in Montréal
1st: Derek Garbos, LaserTech Canada
2nd: Nick Squire, LaserTech Canada
3rd: Sally Steranko, Image Engineering
Note: No 3rd Place was awarded
1st: “Static Laser Beam Auto-alignment Safety System", KVANT Ltd.
During temporary or permanent outdoor installations of a high power static laser beam, a potential risk occurs if the beam deviates its original direction or the illuminated object sways with time, which may lead to a dangerous situations. We implemented a new solution to avoid such scenario and to make such installation safe.
To deal with the sway of the illuminated object (e.g. building, sculpture, target), or with the beam direction deviation that may happen due to mechanical instability or thermal expansion of the laser system or its base or mount, we developed a special self-alignment safety system to keep the beam targeted exactly where it is supposed to.
The laser beam aims at the center of some target located at far distance or mounted on the tower. At the same time the position of the beam in relation to the center of the target is monitored with the camera system and the beam position data is sent to the Master Controller (e.g. computer). If the system analyses that the laser beam isn’t hitting the exact center of the target, it sends the new targeting data back to the laser display system. The laser targeting algorithm adjusts the tilt of the motorized beam reflecting mirror so the beam is aimed at the center of its target again.
This cycle happens during the start sequence each time and then continuously in real time or in certain time interval while the laser display system is in operation. If the correct alignment of the beam to its target isn’t confirmed by the Master Controller within three safety check cycles, the power to corresponding laser display unit is cut off.
The camera system is equipped with a telescope objective to reach necessary spatial resolution. The software recognizes the shape of the target and any target shape can be programmed. In order to reduce background light a narrow bandpass optical filter can be installed in camera if necessary (although this works with 100% reliability for single color beam only).
Submission video on YouTube is here
2nd Place: "Mercury" by X-Laser
Mercury is an entirely DMX-based integrated laser control system built from the ground up specifically for lighting designers to use not with laser control software, but with a modern lighting console such as GrandMA, Avolites, Chamsys, etc.
Featuring DMX+RDM, ArtNet, and in the future Streaming ACN (E1.31/E1.33), Mercury can be used from the lighting console just like any top-brand moving light. It can be discovered, profiled, configured, and programmed directly from the lighting console.
Submission video on YouTube is here
Note: No 3rd Place was awarded
1st: “ILDA Digital Network - Toolbox”, University of Bonn, Institute of Computer Science 4 (Laser and Light Lab)
The IDN-Toolbox is software that can be used to receive IDN streams on a laptop or desktop computer. The IDN stream(s) can either come directly from software being able to generate IDN streams (like Medialas, HE Laserscan, LSX, ... - as already being demonstrated by Uni Bonn at recent ILDA meetings), or an IDN stream may be generated using an ISP-DB25 to IDN converter (like the StageFeed ISP from DexLogic).
In the latter case the IDN-Toolbox can be used together with any laser show system, attaching the converter to IDN to the ISP- DB25 output of the system (e.g. connecting to LaserGraph DSP, to JMLaser Netlase, to Pangolin FB3/FB4, or any other laser DAC with ISP-DB25 output).
The IDN-Toolbox can visualize the laser stream/frame data on a computer monitor (similar to the laser preview that many laser show systems provide). However, when the IDN-Toolbox receives data according to the IDN continuous mode (aka “wave mode”), either directly generated from software or coming from an ISP-DB25 to IDN converter, the scan speed and scanning effects (flickering, low scan speed) can be visualized with the IDN-Toolbox as well. If the graphic driver/card of the computer is sufficient, the visualization works with 60 fps (frames per second).
Furthermore, the IDN-Toolbox is able to analyze the received laser stream/frame data. Blanking points/lines will be made visible. Statistical data like point durations/point repetitions will be available (i.e. to identify possible “hot spots”). Histograms can be used to display the analyzed data, e.g. histograms of color values, histogram of distances between consecutive laser points, and others.
The initial concept of the IDN-Toolbox was presented and a very early prototype was demonstrated at the Advanced Technology Workshop at the ILDA meeting 2016 in Baltimore. At the ILDA meeting 2017 in Bratislava (ATW and IDN seminar), the stable version of the IDN- Toolbox was demonstrated and a use case of integrating the IDN driver into the Dynamics software with help of the IDN-Toolbox has been reported on.
Submission video on YouTube is here
2nd: “ILDA Digital Network - Switcher”, University of Bonn, Institute of Computer Science 4 (Laser and Light Lab)
A piece of software that is able to switch, map and multiplex between different IDN-based senders and several IDN-based receivers in a local network.
The basic idea and motivation for an IDN-Switcher is based on the digital transmission of laser data over a local network. With IDN (the ILDA Digital Network) an open specification of data formats for laser projector control became available. IDN aims to provide an open standard/specification to allow for a unified way to connect laser show software with laser projecting devices. (IDN stream specification became an ILDA technical standard in October 2015).
Any IDN-enabled software may directly send laser data to IDN-enabled laser projectors or IDN-enabled receivers. An IDN-enabled switcher can be installed in the network (on a dedicated computer like a laptop, an embedded device, or similar) to control the flow of laser data between senders and receivers, allowing to switch on/off individual sources, map sources to projectors and even map single streams to several projectors or combine several streams onto a single projector.
The IDN- Switcher:
Laser shows were first popularized by Laser Images Inc. through their “Laserium®” shows in planetariums.
Laser Images’ Glenn Thomas pioneered the art of live performances of abstract laser imagery with music. During his 27(!)-year career as the senior laserist for Laserium® at the Griffith Observatory in Los Angeles from 1975 to 2002, Glenn performed approximately 12,500 live shows that both inspired and influenced those of us who followed in his footsteps.
Laser shows were presented very differently during Glenn’s career. They were performed in the totally darkened environment of a planetarium theater with a single ion laser powering the innovative Laserium® projector. It had four X-Y scanner pairs and an extensive array of optical effects that even today have never been equaled. The original Laserium® shows consisted entirely of abstract laser imagery that was performed live. The laserist controlled all aspects of the image composition (such as harmonic frequencies, size, position, movement, color, optical effects, etc.) from a sophisticated console which was similar to an electronic music synthesizer — with a multitude of potentiometers, switches, and even joysticks.
Glenn played the console just like a musical instrument and elevated Laserium® shows to become synonymous with visual music.
In a very real sense, the laserist was the star of the show. A talented laserist was a lot like a rockstar guitarist who would drive audiences wild with their virtuosity. Similarly, audiences at live planetarium laser shows would erupt into applause after an especially exciting performance by the laserist.
And Glenn was one of the most renowned and accomplished laserists of this bygone era of live laser shows. He was a master of his instrument – like Yo-Yo Ma is to a cello.
Laserium® founder Ivan Dryer, honored as the first recipient of the ILDA Career Achievement Award, remarked after one of Glenn’s performances that it wasn’t just entertaining but that it was a transformative experience. Pretty high praise!
It should also be noted that Glenn was sent to Laserium planetarium installations worldwide to teach other laserists how to perform. Consequently, his influence was experienced by literally millions of audience members.
Considering Glenn Thomas’s lengthy career and unique artistic accomplishments, he is most deserving of ILDA’s highest recognition.
ILDA has published online Glenn Thomas' book "Laserium® Laserist: The Greatest Job on Earth".
Voted by the ILDA Membership, via email ballots
I felt OLD before I came here. After spending two days with you, I feel absolutely ANCIENT.
Yesterday, one of you said “You’re not old. You’re HISTORIC. That was hilarious!
Tim Walsh, It was great to meet you in person. I heard that you are also HISTORIC!
Yesterday, I also saw and learned many things.
First, I saw the greatest laser projectors in the world made by Michael Sollinger. Their white light, range of colors, and perfect uniformity was absolutely amazing. Michael, your projectors are spectacular!
Second, I learned that beam performances could be just as subtle and artistic as scanning performances. I think some of you probably saw me, on my knee, bowing to Markus [Voggenberger, of VisuTek e.U.]. Amazing artistry, Markus.
Third, Chris Short continued to impress me with his pursuit of scanned abstract imagery. To see the live performance console that he developed with Andrew Kilpatrick was exciting as well as baffling. What I am baffled about is that, in 2018, you are still trying to build a laser light synthesizer that you can play live shows on, like the one Laserium® built 42 years ago!
I think that we have lost an art form that used to exist with Laserium.
It has always been my dream that some day, someone will build a live performance laser light synthesizer that not only equals Laserium’s but takes laser art to the highest level possible.
Tonight, I also want to say “God Bless Ivan Dryer” as he watches this convention from Heaven.
Thank you for inviting me to this convention, for your hospitality, and for recognizing my time at Laserium with this incredible award.
It was a great HONOR to be nominated along-side such fantastic people as Alberto Kellner and Paul McCloskey.
Gentlemen... I don’t know you personally, but I wish you the very best of everything and I’m sure that you both deserve this award more than I do.
What in the world am I doing here?
About six months ago, I was TOTALLY STUNNED to get an email saying that I had been nominated for an ILDA Award by none other than Doug McCullough, my arch nemesis from the 1970s.
You know... It’s pretty much Doug’s fault that I’m here tonight...
First, his company, AVI, booted me and Laserium out of our awesome gig at the Hayden Planetarium in New York City.
Second, that booting got me sent to the Griffith Observatory in L.A. where I spent the next 26 happy years performing live Laserium shows for stoned crowds that absolutely loved it.
Third, out of the blue — and I have no idea what he was thinking — Doug submitted a beautifully-written ILDA award nomination for me.
Thank you very much, Doug.
I’m very sure that I am here today because of you....
because of Patrick Murphy, who found and shared my six-minute documentary film [short version here] and my small story about the greatest job on earth. Thank you Patrick!
Last, but not least, I know that I’m here today because of all of you who were kind enough to vote for an ancient, old,... I mean HISTORIC laserist from the 1970s.
To be included in your very distinguished list of previous winners is the greatest honor of my life.
My family and I will be forever thankful to you all.
I have one more HISTORIC thing to say...
Lase-on and may the force be with you!
In 2018, ILDA received 181 artistic and technical entries from 48 different Member companies.
• Most of the artistic entries were judged in June 2018 via online viewing and voting. Judges were Olga Eser, Christine Jenkin, Shane Martz, Nisha Ramnath and Adam Raugh. Judging coordinator was Richard Gonsalves.
• Laser Photography and Career Achievement Award entries were judged by ILDA Members voting online, May 29 - June 12 2018.
• Fenning technical entries were judged via online discussion of a three-member panel that reached its decision July 5 2018. Judges Derek Garbos, Richard Gonsalves and James Stewart evaluated 5 entries from 4 ILDA Members.
• Laser Jockey entries were viewed and judged by attendees at the Lase-Off during the ILDA Conference in Montréal on November 11 2018.
The 2018 Artistic judges rated each entry according to four factors: technical competency, artistic competency, quality and variety of effects, and music sync. These were used by the judges in making their final choice of winners.
Below is some information about the entries' scores. This may be of interest to persons who submitted in 2018, as well as those submitting for future Awards:
• The Judges' Rating Spreadsheets list all of the Artistic Award entries, and the ratings they received from the judges. There are two spreadsheets, a detailed one that includes all of the judges' individual scores, and a summary one with just the judges totaled scores. (For these public versions, the show names and entrant names have been removed.) The most important column is "AVG. SCORE". This has been color coded, so that green means an entry received an above-average rating, yellow indicates an average rating, and orange & red indicate below-average ratings. The Average Score is used to help determine the 1st, 2nd, and 3rd place winners. (Some entries were disqualified due to safety concerns, which would then move up non-disqualified entries.)
ILDA requires its Members to perform safe and legal laser shows, and to acknowledge basic principles of laser show safety.
Beginning with the 2014 Awards, all entrants submitting videos have explicitly certified that their laser effects depicted met safety standards, as well as all applicable laser safety laws and regulations (including laws for audience scanning) in the location where the show was performed.
• Entries filmed in a studio, with no audience, can use any power and can scan anywhere, even if the original show was intended for an audience.
• However, if the video depicts an audience watching the laser show, or has lasers near performers, then the show must be safe for the audience and performers, and must comply with all applicable laws and regulations. Documentation must be provided to ILDA about the show’s irradiance at the point of closest audience access, and any other safety measures that were implemented.
• The above documentation is also required if an entry depicts beams in an area where an audience might be, such as an empty tradeshow floor or an empty auditorium. This is because a video of unsafe beams in an audience area gives an impression that the same show would be run with an audience present.
Since 2014, ILDA has reviewed every entry for any potential safety issues.
ILDA has the right to remove or disqualify an entry if, in our sole opinion, 1) the show violates or appears to violate safety standards, laws and/or regulations, and/or 2) the show does not have sufficient documentation of safety and legal compliance.
Note that despite ILDA’s review process, ILDA cannot absolutely certify that an Awards entry is safe and legal. This is ultimately the responsibility of the entrant.
IMPORTANT: If you have a laser or a laser projector, do NOT attempt to perform the type of audience-scanning effects seen in ILDA Award-winning videos 1) without qualified expert safety planning and supervision and 2) without prior written permission from appropriate authorities. These authorities may include federal, state and local laser safety regulators, venue operators, and insurance companies.
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